Fogo Island
Belonging to a Place
July, 2013
Fogo Island Inn, Fogo Island
Islands have long been considered laboratories for the study of evolution. Their restricted scale, isolation, and clear boundaries create unique selective pressures. As such, the requirements to maintain, renew and preserve the realities of every island will be unique—a logic that extends to the idea of rural locations in general.
Urban renewal has been widely discussed, while rural renewal has only gained some momentum as a point of interest. Local knowledge—including nature as a source of information—traditions and heritage all fall within its rubric of preservation. While local traditions may be threatened in many communities around the world, the speed with which they face extinction in rural areas is accelerated by the real threat of depopulation and resettlement, and a seemingly concomitant focus on investment in urban areas. What are the implications of this phenomenon of global urbanization for rural populations? And for the knowledge, traditions, and heritage that are specific to each location?
Acknowledging the urgency of these questions, the inaugural edition of the Fogo Island Dialogues considered whether islands can still be said to exist or whether they have been subsumed into the territory of globalism through increased flows of communication, connectivity, corporatism, and travel. Is this a new Pangaea? Or has globalization made us all (islanders, metropolitans, and everyone in-between) insular? Do our communities become more defined when viewed through the eyes of others? As such, are the challenges facing islands, or more broadly, rural communities, all that different from those in urban centres? In addition, what exactly is being preserved and by whose authority? Perhaps local knowledge isn’t relevant or exportable to other sites. At what point does tradition become history?
Belonging to a Place, was the first international and interdisciplinary conference in the Fogo Island Dialogues series, and brought together key thinkers, arts professionals, academics, economists, geographers, planners, and architects to discuss issues related to the livelihood and renewal of rural locations. While the topics addressed by the speakers were international in scope, the discussion took its focus to Fogo Island as the site of an ambitious rural renewal project, and as an inspiration and catalyst for the exploration and understanding of other locations. Using the idea of an island as a metaphor for any rural locale, the concept of the island-as-laboratory was tested through dialogue.
Fogo Island Dialogues: Belonging to a Place was curated by Amira Gad, Gareth Long, and Nicolaus Schafhausen.
Fogo Island Dialogues 2013 Participants:
Erika Balsom
Lecturer in Film Studies at King’s College; London
Katie Bethune-Leamen
FIA artist-in-residence; Toronto
Paul Dean
Geologist; St. John’s
Mark Clintberg
FIA artist-in-residence; Montreal
Zita Cobb
Co-Founder, Shorefast and Fogo Island Arts; Fogo Island
Amira Gad
Associate Curator, Witte de With Center for Contemporary Art; Rotterdam
Fabrizio Gallanti
Associate Director, Programs, Canada Centre for Architecture; Montreal
Piero Golia
Artist; Los Angeles
Rosemary Heather
Director of Publications and Communications, Fogo Island Arts; Toronto
Janice Kerbel
FIA artist-in-residence; London
Gareth Long
Artist; London/Vienna
Tom McDonough
Associate Professor and Chair, Art History, Binghamton University; NY
Lars Müller
Publisher; Baden
Silke Otto-Knapp
FIA artist-in-residence; London
Lívia Páldi
Director, BAC-Baltic Art Center; Visby
Judy Radul
Artist; Berlin
Simon Rees
Curator, MAK–Österreichisches Museum für angewandte Kunst; Vienna
Dieter Roelstraete
Senior Curator, MCA; Chicago
Jerry Ropson
FIA artist-in-residence; Sackville
Nicolaus Schafhausen
Director, Kunsthalle Wien and Advisor Fogo Island Arts/ Shorefast; Vienna
Kitty Scott
Curator of Modern and Contemporary Art, The Art Gallery of Ontario; Toronto
Todd Saunders
Architect, Saunders Architecture; Bergen
Tobias Spichtig
Artist; Zurich
Jack Stanley
Director of Programs, Fogo Island Arts; Fogo Island
Monika Szewczyk
Visual Arts Program Curator, Logan Center for the Arts; Chicago